Provenance Particulars Pitch
German DOUBLE MANUAL after MICHAEL MIETKE (c. 1704)
by Bruce Kennedy
* Compass: FF - f3
* Registration: 2 x 8', 1 x 4',
buff on lower manual
* Pitch 392, 415, 440
French DOUBLE MANUAL after JEAN-ANTOINE VAUDRY (c.1681)
by Andrew Garlick
* Compass: GG, AA - d3
* Registration: 2 x 8', 1 x 4'
* Pitch: 392, 415

DOUBLE MANUAL after VINCENT TIBAUT (1691)
by David Evans
* Compass: GG/BB - c3 (split sharp, short octave)
* Registration: 2 x 8', 1 x 4',

* Pitch: 415
DOUBLE MANUAL after GOERMANS-TASKIN (1764/83)
by Michael Johnson
* Compass: FF - f3
* Registration: 2 x 8', 1 x 4', buff on lower manual
* Pitch: 415,440
Flemish SINGLE MANUAL after ANDREAS RUCKERS (1640)
by Richard Kingston (by arrangement with Clare Hammett)
* Compass: GG/BB - d3(short octave)
* Registration: 2 x 8', buff
* Pitch: 392, 415, 440
Italian SINGLE MANUAL after GIOVANNI NATALE BOCCALARI (1680)
by Mark Ransom & Oliver Sändig Compass: C- c3
* Registration: 2 x 8'
* Pitch 392, 415, 440
SINGLE MANUAL after CAROLUS GRIMALDI (c. 1700)
by Mark Ransom & Claire Hammett
[ 2 of these instruments are available ]
* Compass: GG - d3
* Registration: 2 x 8'
* Pitch: 392, 415, 440, 466
Virginals & Spinets SPINET VIRGINAL after HANS RUCKERS (1598)
by Grant O'Brien
* Compass: C/E - c3(short octave)
* Pitch: 415
ITALIAN VIRGINAL after anonymous Black Virginals (c.1600)
by Peter Bavington
* Compass: GG/BB - c3(short octave)
* Pitch: 415, 440, 466